Yay, how expressive! love how you've blurred out those car and people shapes! THe blue and yellow are a lovely contrast, and the limited palette is really harmonious. capturing only the big shapes as the space recedes to the background is working really well.
I think what this scene is missing for me is a clear subject. Right now, my eye is taken by the little arrow sign (well done on that, btw - so clean!) - the sharp white lines surrounded by darkness is the highest contrast area. But is that intentional? It could be, but I'm not sure. if not, you could maybe go back over one of the figures or cars with a dark (or white!) line to increase the subject.
Also, small critique here, but it's bothering me how the black area under the awnings stops in the middle of the page. You could fade that out a bit more and continue it further right. That would also help lead the eye through the page.
I hope you enjoyed the course! Looks like you learned a lot here :)
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displayname9283106
Professor PlusYay, how expressive! love how you've blurred out those car and people shapes! THe blue and yellow are a lovely contrast, and the limited palette is really harmonious. capturing only the big shapes as the space recedes to the background is working really well.
I think what this scene is missing for me is a clear subject. Right now, my eye is taken by the little arrow sign (well done on that, btw - so clean!) - the sharp white lines surrounded by darkness is the highest contrast area. But is that intentional? It could be, but I'm not sure. if not, you could maybe go back over one of the figures or cars with a dark (or white!) line to increase the subject.
Also, small critique here, but it's bothering me how the black area under the awnings stops in the middle of the page. You could fade that out a bit more and continue it further right. That would also help lead the eye through the page.
I hope you enjoyed the course! Looks like you learned a lot here :)
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