In this case we have a problem with lights and shadows. You need to look for nuances in the half tones of light and shadow. Those tones will be the ones that will give us the volume together with the dark maximums. It's just working a little more.
**Thank you for taking the course!
If you liked it and you are interested in knowing another way of understanding flesh and skin in watercolor. I leave you my course on ARTISTIC PORTRAIT IN WATERCOLOR, where you will know another very limited method to face the portrait and the carnations.
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Insegnante PlusIn this case we have a problem with lights and shadows. You need to look for nuances in the half tones of light and shadow. Those tones will be the ones that will give us the volume together with the dark maximums. It's just working a little more.
**Thank you for taking the course!
If you liked it and you are interested in knowing another way of understanding flesh and skin in watercolor. I leave you my course on ARTISTIC PORTRAIT IN WATERCOLOR, where you will know another very limited method to face the portrait and the carnations.
-ARTISTIC PORTRAIT IN WATERCOLOR.
https://www.domestika.org/es/courses/949-artistic-portrait-in-acuarela/casanova_ale
See you soon!
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