Sensational course. Sometimes we think that doing comics is just going out without even thinking, but there is a whole procedure that precedes a story, and it is essential to follow it. Sérgio shows us this process in a light and simple way, taking out all the myths that it takes a "load" of expensive materials to be able to do something good. I used only a pen nib, a pen with a brush and a refillable reservoir, 180gr paper, a cell phone scanner and Photoshop to adjust it. And I still used my final work to compete for a scholarship contest at Quanta in the Comics course. Thank you @sergibleda
An interesting version of the tale of the three little pigs.
I really like the sequencing and the narrative. The ink is quite well balanced, although I recommend using different stroke widths to achieve a more sense of depth. If you ink the characters or objects in the foreground with a thicker line you will achieve that effect.
In panel 3 on the first page, for example, I would have inked the characters outside the castle with thicker lines than those on the castle itself.
You are going for the good way. Good work.
@sergibleda Thanks for the tip Professor. I really need to study the final art more and more. I still have some difficulty working on the thickness of the line and I know that it is in practice that skill and improvement is acquired. I decided to make a series from these 3 pages and I will start publishing on this site, I hope you enjoy and follow my evolution.
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displayname1443996
Sensational course. Sometimes we think that doing comics is just going out without even thinking, but there is a whole procedure that precedes a story, and it is essential to follow it. Sérgio shows us this process in a light and simple way, taking out all the myths that it takes a "load" of expensive materials to be able to do something good. I used only a pen nib, a pen with a brush and a refillable reservoir, 180gr paper, a cell phone scanner and Photoshop to adjust it. And I still used my final work to compete for a scholarship contest at Quanta in the Comics course. Thank you @sergibleda
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Insegnante PlusAn interesting version of the tale of the three little pigs.
I really like the sequencing and the narrative. The ink is quite well balanced, although I recommend using different stroke widths to achieve a more sense of depth. If you ink the characters or objects in the foreground with a thicker line you will achieve that effect.
In panel 3 on the first page, for example, I would have inked the characters outside the castle with thicker lines than those on the castle itself.
You are going for the good way. Good work.
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displayname1443996
@sergibleda Thanks for the tip Professor. I really need to study the final art more and more. I still have some difficulty working on the thickness of the line and I know that it is in practice that skill and improvement is acquired. I decided to make a series from these 3 pages and I will start publishing on this site, I hope you enjoy and follow my evolution.
https://fliptru.com.br/comic/contos-dispersos/001
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