We should tend to use larger and more water-laden brushstrokes, thus avoiding insistence on the paper and giving our work a more fluid appearance.
The use of a good paper is essential and would have helped you a lot. A bad stain on good paper looks great. It also allows you to introduce more washes, apply the brush much more times and the appearance of the work would be totally different.
** Thank you for taking the course!
If you liked it and you are interested in delving into the flesh and skin in watercolor. I leave you my course on the human figure in watercolor, where we delve a little more into color, color palettes and new methodologies.
@casanova_ale thanks I will get 100% cotton paper and I will continue practicing, thank you very much for the course and of course I am ready to learn now in the human figure course, greetings !!!!
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displayname1519656
Teacher PlusWe should tend to use larger and more water-laden brushstrokes, thus avoiding insistence on the paper and giving our work a more fluid appearance.
The use of a good paper is essential and would have helped you a lot. A bad stain on good paper looks great. It also allows you to introduce more washes, apply the brush much more times and the appearance of the work would be totally different.
** Thank you for taking the course!
If you liked it and you are interested in delving into the flesh and skin in watercolor. I leave you my course on the human figure in watercolor, where we delve a little more into color, color palettes and new methodologies.
-Human figure in watercolor. A slightly more advanced course where you can delve into watercolor fleshings.
https://www.domestika.org/es/courses/2463-figura-humana-en-acuarela/casanova_ale
See you soon!
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displayname568999
@casanova_ale thanks I will get 100% cotton paper and I will continue practicing, thank you very much for the course and of course I am ready to learn now in the human figure course, greetings !!!!
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