Introduction to Storyboarding for Animated Films
Storyboarding in Photoshop
A course by user8144715 surname8144715 , Storyboard Artist
Joined August 2021
Learn to visually interpret a script and capture the emotions of the plot and characters with your drawings
Joined August 2021
About the video: Storyboarding in Photoshop
Overview
“If you don't want to download Toon Boom, I'll show you how to create storyboards in Photoshop.”
In this video lesson user8144715 surname8144715 addresses the topic: Storyboarding in Photoshop, which is part of the Domestika online course: Introduction to Storyboarding for Animated Films. Learn to visually interpret a script and capture the emotions of the plot and characters with your drawings.
Partial transcription of the video
“Storyboarding in Photoshop In this lesson I'll show you how to storyboard in photoshop If you prefer to take the course in the software of your choice, I will briefly explain how you can storyboard in Photoshop. I'll upload a template for you to use. We just make the same seven panels for comparison, that we drew in Toon Boom are reproduced here in Photoshop. For this I open the children's room. I'll take it and put it in here. Then I'll rename it, to be on the safe side, and just name it Story board 001. We were very close at the beginning and then let's do it again like this. Maybe like t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Storyboarding for Animated Films
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Category
3D & Animation, Illustration -
Areas
Animated Illustration, Animation, Character Animation, Digital Illustration, Drawing, Figure Drawing, Motion Graphics, Storyboard, Traditional illustration
A course by user8144715 surname8144715
Petra Popescu lives in Germany and works as a freelance storyboard artist in the animation industry. After graduating with a degree in graphic design, she found her calling during the first few projects she worked on as a prop and character designer and director's assistant. She started exploring the world of black-and-white Japanese comics at a young age thanks to anime series Dragon Ball, sparking her life-long fascination with the expressive power of a few simple lines and shading.
The current aim of her art is to elicit intense emotions from her audience using minimal resources. Her work ranges from film projects and video game cinematics to US and German children's shows, as well as movies and series for Netflix.
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