Paper Cutting Illustration: Create Extraordinary Books
Harlequin Characters and Fanzine 1
A course by user96976 surname96976 , Illustrator
Joined August 2013
Push the boundaries of traditional books by creating a story illustrated in 3D
About the video: Harlequin Characters and Fanzine 1
Overview
“I will teach you how to use the harlequinade format to search for your characters.”
In this video lesson user96976 surname96976 addresses the topic: Harlequin Characters and Fanzine 1, which is part of the Domestika online course: Paper Cutting Illustration: Create Extraordinary Books. Push the boundaries of traditional books by creating a story illustrated in 3D.
Partial transcription of the video
“Turn-up and Accordion Book Characters In this lesson, we'll begin exploring different book formats and focus on searching for our characters. I'll work primarily with Alice, the queen, and the Caterpillar. We'll learn about book layouts dating back a century... actually two centuries, the 19th century, that are very interesting and allow us to combine various characters on one sheet. What these books do is give you the option to build variations, which are practically infinite, on different characters. Let's look at another book that has a similar layout. This book is called "Making Faces" ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Paper Cutting Illustration: Create Extraordinary Books
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Category
Craft, Illustration -
Areas
Bookbinding, Children's Illustration, DIY, Editorial Design, Narrative, Paper Craft, Storytelling, Traditional illustration
A course by user96976 surname96976
Born in Buenos Aires, Argentina, Paz Tamburrini is a professional visual artist, engraver, and illustrator who specializes in creating books using paper cutting. Her work has been published around the world in editorials such as Edelvives, La brujita de papel, Gerbera and Milrazones.
She studied a Master's in books and children's literature at the UAB and is just as fascinated by the theory of books as she is by the practical side of their creation. Her passion for turning the book itself into a narrative element led her to learn various paper engineering techniques which she uses to create pieces that awaken the curiosity of many different audiences.
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