Credit Titles Animated with 3D Cameras and After Effects
Designing styleframes and animatic II
A course by user440600 surname440600 , Creative director, designer
Joined November 2016
Design and animate film credits from the sketch to the final post-production
Joined November 2016
About the video: Designing styleframes and animatic II
Overview
“Second part of the lesson.”
In this video lesson user440600 surname440600 addresses the topic: Designing styleframes and animatic II, which is part of the Domestika online course: Credit Titles Animated with 3D Cameras and After Effects. Design and animate film credits from the sketch to the final post-production.
Partial transcription of the video
“[Music] This is what we have done, what we have done so far and corresponds above all with the initial part and with the start of credit titles. We haven't started doing the rest yet but what is it about It is from the techniques we learned in the previous collage lesson and use of resources that we find on the internet go making several new frames that correspond with each of the names What has happened to us the client. This way you have to get something like this, okay? If you see all these still frames here up to this part of here let's say they correspond With all the development. Let'...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Credit Titles Animated with 3D Cameras and After Effects
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Category
3D & Animation -
Software
3ds Max, Adobe After Effects, Adobe Photoshop -
Areas
3D, 3D Animation, Animation, Audiovisual Post-production, Photography Post-production, Video Editing
A course by user440600 surname440600
Fernando Domínguez Cózar is Creative Director, Designer of credit titles and Musician based in Valencia, Spain.
Since graduating from the university in 2005, he has developed a successful career as a credit title designer and art director. At Prologue Films (Los Angeles) he worked on the credit titles of Spiderman 3 (2008) and Star Trek Beyond (2016).
He co-founded the Dvein studio where for seven years he directed the sequences of titles for festivals such as OFFF, TOCA_ME or F5, television commercials, music videos, and experimental works. During this period he co-directed pieces such as the Magma music video. He has also directed and produced the titles of the film Eva (2011) and Toro (2016).
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3ds Max
Adobe After Effects
Adobe Photoshop
