The matte looks very good and the integration is successful but it lacks details. What it lacks are elements that give it life, now the matte is fine but there are no things that make it seem real.
Tips: make the haze a little more visible. Also maybe add some autumn leaves that fall or birds that fly, elements with movement. Another thing to do is to realistically blur the background, now everything is in focus and that is always a revealing detail of a matte. I would add slight fuzzy shadows at the base of the tombstones and statues to better blend them with the ground. Now it has a little cut-out look. Also the trees: they are very good but they are throwing a little red, I think that with that sun we would have to get closer to yellow.
The cutouts of the plate are almost but not quite. the grave on the left has super out of focus edges and the headstone that Amelia is walking behind has a very sharp and loosely integrated cutout just at the time she is behind.
The last thing is that having the sun so low when she gets up there would have to be interaction with the light, on the one hand covering the rays slightly and on the other hand she would have to be a little against the light. It could be easily solved by raising the position of the sun or better yet by eliminating the glare. If you look at the shadows of the real plate they are super diffuse, that means that almost certainly the day it was shot had sun covered, so the flare you have put does not correspond to the real look. If you decide to keep it, you have to create more marked and defined shadows in everything and taking into account all the work you have done in the painting, I think it is better to directly discard it. The grave that you have just on the far right is an example of what the shadows would be like in the whole plane if the sun were as you have it now. In fact, that tomb stands out and is not well integrated precisely for that reason, it is outside the general style of the plan.
It seems like a lot but in reality they are not very complicated changes. Cheer up.
Hi
I have updated the Final Project based on the comments made to me:
-More visible mist
-Sheets were added to the foreground and the middle.
-Two birds were added in front of the trees.
-I have re-worked the out of focus of the different layers.
-Add shadows to headstones.
-Remove the Flare simulating the sun and change the Grading.
-Adjust the cutout of the headstones from the original set.
-Adjusted the colors of some headstones.
4 komentarze
displayname87920
Prowadzący PlusHi!
The link gives me an error, could you check it?
Thank you.
Zobacz oryginał
Ukryj oryginał
displayname443643
Hi. I have corrected the address of the link to the video. Greetings.
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displayname87920
Prowadzący PlusHi!
Thanks for the new link.
The matte looks very good and the integration is successful but it lacks details. What it lacks are elements that give it life, now the matte is fine but there are no things that make it seem real.
Tips: make the haze a little more visible. Also maybe add some autumn leaves that fall or birds that fly, elements with movement. Another thing to do is to realistically blur the background, now everything is in focus and that is always a revealing detail of a matte. I would add slight fuzzy shadows at the base of the tombstones and statues to better blend them with the ground. Now it has a little cut-out look. Also the trees: they are very good but they are throwing a little red, I think that with that sun we would have to get closer to yellow.
The cutouts of the plate are almost but not quite. the grave on the left has super out of focus edges and the headstone that Amelia is walking behind has a very sharp and loosely integrated cutout just at the time she is behind.
The last thing is that having the sun so low when she gets up there would have to be interaction with the light, on the one hand covering the rays slightly and on the other hand she would have to be a little against the light. It could be easily solved by raising the position of the sun or better yet by eliminating the glare. If you look at the shadows of the real plate they are super diffuse, that means that almost certainly the day it was shot had sun covered, so the flare you have put does not correspond to the real look. If you decide to keep it, you have to create more marked and defined shadows in everything and taking into account all the work you have done in the painting, I think it is better to directly discard it. The grave that you have just on the far right is an example of what the shadows would be like in the whole plane if the sun were as you have it now. In fact, that tomb stands out and is not well integrated precisely for that reason, it is outside the general style of the plan.
It seems like a lot but in reality they are not very complicated changes. Cheer up.
Zobacz oryginał
Ukryj oryginał
displayname443643
Hi
I have updated the Final Project based on the comments made to me:
-More visible mist
-Sheets were added to the foreground and the middle.
-Two birds were added in front of the trees.
-I have re-worked the out of focus of the different layers.
-Add shadows to headstones.
-Remove the Flare simulating the sun and change the Grading.
-Adjust the cutout of the headstones from the original set.
-Adjusted the colors of some headstones.
I await your comments.
Greetings.
Rafael.
Link to video: https://vimeo.com/313040009
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