4. That plate is a bit tilted. I do not know if it is because you have inclined it slightly or that it is already inclined like that because it is a script type.
6. The time symbol must be written separately from the figures: 05.50 h, never pasted.
7. This fraction is not well integrated into the text, in fact it gives me the feeling that it is floating. I think it may be because this type you have used is not quite well built, but I would have to see it.
8. I see no reason to use small caps (or any other resource) in the name of Red Label whiskey. Maybe something escapes me. If so, please let me know.
In general I see a certain abuse of distinctive types. Too much italics (something, you can, I want), bold, etc. Think that less is more and that the better you use this resource, the more it will attract attention.
The text you have used is very beautiful. If you give a little more sense to the use of typographic resources, I think it could be an example of visual poetry and how the designer brings visual strength to the message.
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displayname172098
Professeur PlusHello, @guionistalaista :
I see something that I think can be improved.
4. That plate is a bit tilted. I do not know if it is because you have inclined it slightly or that it is already inclined like that because it is a script type.
6. The time symbol must be written separately from the figures: 05.50 h, never pasted.
7. This fraction is not well integrated into the text, in fact it gives me the feeling that it is floating. I think it may be because this type you have used is not quite well built, but I would have to see it.
8. I see no reason to use small caps (or any other resource) in the name of Red Label whiskey. Maybe something escapes me. If so, please let me know.
In general I see a certain abuse of distinctive types. Too much italics (something, you can, I want), bold, etc. Think that less is more and that the better you use this resource, the more it will attract attention.
The text you have used is very beautiful. If you give a little more sense to the use of typographic resources, I think it could be an example of visual poetry and how the designer brings visual strength to the message.
Cheers
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