You have applied the technique without cuts or strange effects, I like the place you have chosen and the direction of the flash light (especially on the boy's face)
Of course, when looking at the photograph it is inevitable (with your permission) to ask you some things.
The first one is the sky behind the trees, it seems to me a burnt point and breaks the gradient (somewhat forced) of the upper part. Maybe shooting the same photo but an hour or two later? That would give you a more colorful and tame sky, or if you had margin in terms of flash power, maybe just by closing the diaphragm a little more, keeping the light on the model, it would prevent burns and it would stand out much more.
As I said before, I like the direction with which you have lit but I am distracted by the beam that you have left on the ground. I would try one of two: Either you soften it by blending with the photo without flash or you center it, that is, the illuminated area bursts less hard, more progressive and above all more centered with the boy (now it falls a little to the left)
On the other hand, the place is quite cool to me, that straight line with an end and the vegetation that you can see work very well for me, what dances a little more is the subject of the frame. If because of the light from the ground the photo goes to the left, because of the framing that has not finished centering, it goes to the right (one sidewalk weighs more than another).
Finally, in terms of tones, the truth is that there is nothing that hurts or squeaks, but I do not find a use of color that catches my attention. Here I would return with the "take the photo later and take advantage of the sunset colors" or even easier: Choose another color for the model's jacket.
These would be the little things that I see in the photo, I don't know if you will agree with me or not, but boy, what is the lighting technique you have already been able to apply it, so congratulations!
The rest is to test and test and test and test… :)
Now that you mention it all you are right! I will try to repeat the photo but with the most nocturnal light to see how it is, you have to know how to find the right time. Or try to better control the light of the flash since you are right in that it would highlight the model much more.
The subject of the framing now that I look at it I see it better, it is necessary to balance the whole photo a little, so that it does not happen that it goes to one side or the other.
As for the color issue, it is true that I chose a cool place in terms of straight but nothing special in terms of color hahahaha
As you say is to try and test and test!
Thanks for the priest! very interesting and very useful! I hope some more! :))
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displayname30823
Professeur PlusGood @helena_pintor !
You have applied the technique without cuts or strange effects, I like the place you have chosen and the direction of the flash light (especially on the boy's face)
Of course, when looking at the photograph it is inevitable (with your permission) to ask you some things.
The first one is the sky behind the trees, it seems to me a burnt point and breaks the gradient (somewhat forced) of the upper part. Maybe shooting the same photo but an hour or two later? That would give you a more colorful and tame sky, or if you had margin in terms of flash power, maybe just by closing the diaphragm a little more, keeping the light on the model, it would prevent burns and it would stand out much more.
As I said before, I like the direction with which you have lit but I am distracted by the beam that you have left on the ground. I would try one of two: Either you soften it by blending with the photo without flash or you center it, that is, the illuminated area bursts less hard, more progressive and above all more centered with the boy (now it falls a little to the left)
On the other hand, the place is quite cool to me, that straight line with an end and the vegetation that you can see work very well for me, what dances a little more is the subject of the frame. If because of the light from the ground the photo goes to the left, because of the framing that has not finished centering, it goes to the right (one sidewalk weighs more than another).
Finally, in terms of tones, the truth is that there is nothing that hurts or squeaks, but I do not find a use of color that catches my attention. Here I would return with the "take the photo later and take advantage of the sunset colors" or even easier: Choose another color for the model's jacket.
These would be the little things that I see in the photo, I don't know if you will agree with me or not, but boy, what is the lighting technique you have already been able to apply it, so congratulations!
The rest is to test and test and test and test… :)
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displayname304323
Now that you mention it all you are right! I will try to repeat the photo but with the most nocturnal light to see how it is, you have to know how to find the right time. Or try to better control the light of the flash since you are right in that it would highlight the model much more.
The subject of the framing now that I look at it I see it better, it is necessary to balance the whole photo a little, so that it does not happen that it goes to one side or the other.
As for the color issue, it is true that I chose a cool place in terms of straight but nothing special in terms of color hahahaha
As you say is to try and test and test!
Thanks for the priest! very interesting and very useful! I hope some more! :))
Afficher le texte original
Masquer le texte original
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